Companies & Artists

 

* Aileen Imperatrice


* All Too Real Players


* Altered Modalities


* Ananka Dance Company


* AILEEN & TONY IMPERATRICE


* Baba


* Babasword Productions


* Central California Songwriters Association

 

* CELENA MARTIN


* Daniel G. Ball


* David Spencer & Randy Morris

 

* DEJA BLUES


* EmSpace Dance

 

* ENRIQUE LOPEZ


* Flying Mikes Production

 

* FIG GARDEN SLIM


* Fresneaux Ramblers


* Glen Delpit


* Head to Head Films

 

* HEARTBEAT


* Hillary Robertson


* Holophrastic Kinesics

 

*IMPROVER BEHAVIOR


* Inconstant Moon Productions


* Jade Ed Gypsy Productions


* Jaguar Bennett


* Jami Zechman


* Jay Martin


* Jennifer A . Blaylock

 

* JIM PIPER


* Jo-Anne Yada


* Karen Ruiz


* Kien Lim


* Libby Goold Productions


* Lisa Kao & David Aus


* Mallory Moad's Daredevil Kitchen

 

* MARCOS DORADO


* Melissa Delaney


* New Music Ensemble


* Other Fish to Fry Productions


* P.B.S. (Peter, Barb & Salo)


* Primal Scream Inner Ear

 Productions

 

* RICH SEVERSON TRIO


* Robert Weibel

 

*RON CATALANO QUARTET

 

*RUSTY HAPPENINGS


* Sageland Media


* Shannon Johnson


* Songs 4 Pints


* Tanjora Tribal Bellydance


* Ted Esquivel, Storyteller


* Teri Carter


* The Big Weird Pop Ensemble

 

* THE FRESNO MET


* The Irregular Theater Company

 

* THE SAGE COLLABORATIVE


* The Stickhorse Cowboys


* The Tower Jazz Quartet


* The Way Of Dance

* Tim Ereneta


* Trenched


* Vince Warner

 

* why knot productions

 

* TROUPE UNMATA

ROGUE REPORT 2005

ISSUE 2

[Want to share your own Rogue story? Email Jaguar Bennett at jagbennett@sbcglobal.net]

FRIDAY, MARCH 4 -- This is the real thing. Tonight 21 different shows will happen in eight different places. We in the Rogue Core like to believe this can happen smoothly and with complete organization. Ha! Opening night is a frenzy of last-second preparations, sudden fixes, crises surmounted, and yet somehow, the show goes on.

As always, when I'm involved in a production, I'm reminded of this dialogue in "Shakespeare in Love," where producer Henslowe (Geoffrey Rush) gives the straight dope on show biz to theater investor Hugh Fennyman (Tom Wilkinson).

Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster.
Hugh Fennyman: So what do we do?
Philip Henslowe: Nothing. Strangely enough, it all turns out well.
Hugh Fennyman: How?
Philip Henslowe: I don't know. It's a mystery.

That's actually the most realistic statement about theater ever made.

My night:

6:00 PM: Before the first show opens, I'm roaming every venue I can get too, leaving handbills for my stand-up comedy show, "Jaguar Bennett: Pain, Guilt and Humiliation," opening at 10 PM, Saturday March 5 at Veni Vidi Vici. The soul of the Rogue is shameless self-promotion. If you're doing a Rogue show, or you want to do a Rogue show next year, keep this important lesson in mind.

The crowds are sparse for the first shows. Rogue opening nights are odd; the audience usually hasn't yet gotten it that a whole festival is happening. But they get it eventually.

How can you best enjoy the Rogue? Ask Chris Johnson, official Rogue security goon: "The first thing for our welcome and honored guests is turn your cell phones off or I will confiscate them if I find them. They can be recovered for a fee of $100, payable to Rogue charities. Other than that, enjoy yourselves, imbibe carefully and drive even more carefully, and enjoy the Rogue."

8:00 PM: Final speed-through on the play I'm doing, "Opposites Attract," by Jade Ed Gypsy productions. It occurs to me that doing two shows is not the ideal way to cover the Rogue Report. I'd like to see what's going on at the other venues, but I'm going to be stuck with my cast until 11:00.

9:30 PM: Standing in front of Starline, I get to talk a little bit to actual audience members!

Lewis Salinas, who just came out of "Happy Endings are Overrated," by Tim Ereneta: "Tim's a pretty cool guy. It was pretty captivating, really, the way he delivered his monologue and his mannerisms. The Rogue is really exciting, and I'm glad to be supporting the actors who are coming to Fresno. People are intrigued by the Rogue. There's a buzz.

Amber, who just came out of Baba Brinkman's "Rap Canterbury Tales": "It was different. It wasn't what I expected. I thought he was going to be different kind of rapper. I thought he was going to be black. This is my first Rogue, I'm a Rogue Virgin, but I like it. I think it's great that you can go to shows for cheap and see something new and creative like a Canadian rapper rapping the Canterbury tales."

10:00 PM: Our show goes up! Opening night jitters, lights in your eyes, that creeping anxiety: Are they laughing? Does the audience like me?

The odd thing about the Starline is that the backstage area is the hallway to the bathroom. People who just want to pee have to elbow their way through the cast, who are dancing to the pre-show Adam Ant. Dancing actors are just one of the little hazards of the Rogue.

11:00 PM: We survived, and the crowd seemed to like the show OK. If you want to catch "Opposites Attract," we're playing at the Starline again Saturday night at 8:30 PM and Saturday, March 12 at 2:30 PM.

12:00 AM: Relaxing post-show at the Starline with whiskey, quesadillas and the Neil Young cover band Ragged Glory.

[Cue music soundtrack: "Keep on rockin' the Free World ..."]

I flit around Livingstone's, dropping "Pain, Guilt and Humiliation" fliers on unsuspecting patrons. Again, shameless promotion is the soul of the Rogue.

I've got to finalize my preparations for tomorrow night's premiere of my standup comedy show, "Pain, Guilt and Humiliation." It's late, and I need to go home.

Rogue on the Street -- Voices and Comment

Bria Neuenschwander, Rogue Volunteer: "Being a Rogue volunteer is a lot of fun. We were a little stressed, because we didn't know if we could count money and tickets right, but we can."

Steven Kaworski, star of "Adventures of a Substitute Teacher": "Audiences were kind of small and quiet tonight, but I've been performing so long I don't let that throw me. I like the Rogue: it's well organized, well sorted out, and kind of mellow."

[Well-organized? Ah, the power of illusion.]

John Jordan, Rogue Number One: "I'm here by default. I don't know what I'm doing."

[That's what the Rogue's all about. You don't know what's going to happen next]

Jennifer Lathrop, Rogue Film Coordinator: "The Rogue is here! It's going to be big, it's going to be awesome, it's going to be great!"

[Cut the crap, Lathrop. What do you really feel?]

"I'm freaking out!"
 

 

 

 

 

 

 

 

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